BBC Four: All About Thunderbirds
As part of the lineup was a documentary called All About Thunderbirds.
I’ve taken close to sixty screensnaps and along with captions and some commentary, they appear after the break.
Full-size FAB-1. Dramatizing the premiere of Thunderbirds Are Go movie.
Bad CGI overlay; Thunderbird 2 is huge and would span the screen!
Part of the documentary had reminiscences from those who worked on the series as well as those who were influenced by it…
Learn more about Dominic Sandbrook.
Fount of immortal television: Gerry Anderson.
He does Wallace and Gromit, which contained a Thunderbirds tribute sequence. Learn more about Nick Park.
Learn more about Steve Bennett.
Learn more about Stephen Cole.
I’ll have something specific to say about this guy later on.
Confusing title card. Wilson was a designer on that series. The Supercar vehicle was a Reg Hill design.
Gerry Anderson and Sylvia Thamm (then Anderson).
The first UK TV series to be filmed in color: Stingray.
That wonderful voice! Learn more about Shane Rimmer.
Learn more about Matt Zimmerman.
A poor facsimile of Thunderbird 3 at some park. Still, exciting for kids then!
They played a strangely significant part in the history of Thunderbirds. Mystery solved below.
An extremely rare appearance by Sylvia Anderson!
Pioneer and legend, Derek Meddings. Creator of the best explosions ever!
Mike Trim also has a blog here.
He also revealed that’s a lemon squeezer! I’d like to forget that now…
Look at the iconography on this gauge. Brilliant!
They featured a montage of real hand shots used. Many of them were Keith Wilson’s. This is Sylvia as Lady Penelope.
An incredible reverse-angle shot using a real hand that is toying with a pen!
This movie was an incredible failure. Sorry to everyone involved, but it deserved to be. It was too long, dull, and featured something that is deadly to boys looking for a big adrenaline rush: songs! Even watching it today makes my teeth ache.
Sylvia at the lavish big-budget movie premiere.
Gerry and Sylvia at premiere.
The guy on the left is Keith Wilson!
The balding fellow at left is the legendary …
His decision-making process for approving proposed TV series apparently consisted of listening to a pitch and then saying, “Sounds good. Go do it.” I don’t know if he had an excellent instinct or if it was just phenomenal luck. But he gave the world some immortal series: all of Gerry Anderson’s, The Prisoner, Danger Man (aka Secret Agent), The Persuaders, Department S, The Saint, The Champions, and many more. Contrast that with our homogenized, bland and boring American TV that is “market researched,” “tested” to death, and which can’t survive one off-network rerun!
He did make one very big mistake, however. He failed to approve a second series of Thunderbirds! So we got Captain Scarlet and the Mysterons instead.
Mysteron Agent out to destroy Captain Scarlet.
The man who did destroy Captain Scarlet!
Phil Ford was the lead writer and script editor of Gerry Anderson’s New Captain Scarlet, a CGI revisioning of the classic Supermarionation series. I might be doing an entire article about this at some point, but the quick summary is that Phil Ford’s scripts were generally terrible, forgettable, and sometimes just embarrassing. I hold him responsible for half of that series’ failure. The other half of the failure was underutilizing the full capabilities of CGI and mimicking live-action too closely.
The evolution of the Supermarionation puppets:
Learn more about Francis Matthews.
A contrast in marionette development.
Some of the Space:1999 special effects team.
Derrek Meddings enjoying long-overdue industry recognition; holding a special Oscar for his work on the Superman movie.
Solution of mystery: They produced and starred in a play about Thunderbirds that became a bit of a pop-culutral phenomenon…
… oh yes, they also portrayed the vehicles …
… some people believe the popularity of this play led to a renewed interest in the series and caused the BBC …
… to repeat the entire series, announcing it on the evening news!
Unsurprisingly, it was a huge hit, spawning a new generation of fans and merchandise. The hottest toy that Christmas was Tracy Island, which sold out!
Even today, over forty years since the show debuted, fans use today’s technology to recreate 3D clips of their childhood memories.
Another recent program featuring Gerry Anderson has him stating that he wishes to remake Thunderbirds, using CGI as he did with Captain Scarlet.
I think that would be very, very big mistake.
In the 1980s, the Japanese did a cartoon series that was sold worldwide as Thunderbirds 2086. It was terrible. I tried to watch it, but it didn’t work because it was a cartoon. There was one sequence early on that I recall to this day. The rescuers had to cut through a wall using a sort of laser. They tried to pace it as if it was live-action. But it simply didn’t work — because this was a cartoon. It was a drawing. Drawings aren’t hard to cut through; we’ve all seen Bugs Bunny do it countless times.
I believe the same thing would happen with a CGIed Thunderbirds. A CGI wall cannot mimic a physical wall. And even though the Supermarionation wall might have been made of cardboard, within the scale of the series physical universe, we could suspend our debelief and enjoy it as if the wall was two-inch-thick rebar and concrete or reinforced steel. In New Captain Scarlet, everything had the feel of a videogame. Mass and physical tangibility were entirely lost.
If Gerry Anderson ever does get the call from BBC’s Michael Grade that he’s been hoping for, I hope Grade stipulates — and that Gerry will see the wisdom of — reviving Thunderbirds using marionettes. It’s the only way it could possibly succeed. (And, dear god almighty, keep Phil Ford out of it!)